Work built in the edit, not only in the camera. There are zoom bursts that turn light into streaks of speed, long exposures where a single figure stays sharp while the world smears around it, and composites that put something into the frame that was never there. The line between document and invention is deliberately blurred — the point is what the picture feels like, not what the camera saw. Most of the source material comes from the Dead Sea and the Mediterranean coast. Every frame in the gallery can be ordered as a print.

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